Museums are one of the most reviewed attractions in New York, according to Doering, (1999). Chelsea boasts of several galleries that are unique in appearance as well as in service delivery. Although there has been a revolution in the museum sector, most museums in Chelsea have adopted a distinctive outlook and internal layouts. Many of the East Side galleries, such as the Perrotin Gallery, have an appealing prospect on the walls that always capture the attention of passersby. The unique paintings on the walls depict the rich heritage and art ideas of contemporary artworks housed by that famous MuseumMuseum. This, for instance, earns the international museum recognition for its devotion to its curatorial programs. The outlook also acts as a self-marketing strategy. The ideal paintings on the outer sides make it a remarkable landmark which eases accessibility to visitors.
Occupying a six-story building, the Perrotin gallery in the Eastside dwarfs all the other galleries in the region. The move to hold the 1902 Beckenstein Building was a way of appreciating historical spaces. The interior design is also very captivating with varied ceiling heights high to enable the installation of more prominent artworks. The gallery also owns a bookstore on the ground floor, which houses hundreds of artistic books covering different historical times as well as varied themes. The artists of these books are from different geographical regions, which make the bookstore of an international standard, and many art lovers visit the bookstore daily to quench their thirst for reading the captivating art collection books housed in the Perroti gallery building. With a significant number of stable artists occupying different exhibitions in the gallery, the Perroti gallery is bound to expand and lead to a shift that may make the entire East Side a new art destination. The best artists in the museum exhibit several paintings that are a unique attraction compared to some of the East Side galleries, which have continued to over the same displays every year without a dynamic change in their artwork.
Regarded as Manhattan’s contemporary art museum, the New Museum, which was founded in 1977, boasts of it’s a unique building. The building portrays several blocks that slide against each other and are stacked of various sizes. The MuseumMuseum continues to be a center of new ideas welcoming artists from different regions of the world. The many galleries in the MuseumMuseum have unique contemporary art exhibits, which makes the New Museum an outstanding modern art museum in the world. Japanese architects engineered the tall white building and, for the time being, is the permanent space for the MuseumMuseum. The design is unique compared to the museums and galleries in Lower East Side as well as the whole Chelsea region. The design makes it a modern museum compared to other museums such as the Perrotin museum which specializes on adopting the historical buildings as a way of explaining its love for art in the world. The New Museum also is a home of a diverse technology in terms of lighting the different chambers and movements inside the MuseumMuseum.
Most museums in Chelsea have adopted a more modern technology compared to the Lower East side’s museums. They use better lighting while displaying the exhibits, which make the art even more appealing. The safety levels in the Chelsea museums are also better since most of the artworks are well marked and the most fragile enclosed in glass casings, which permit a good view. Also, the many galleries in Chelsea have enough space to house more prominent artworks, and the architecture is a distinction from the olden day galleries in Lower Eastside.
There are about 294 galleries in Chelsea (Helle & Tiso, 2008). This makes Chelsea the leading district with the highest number of galleries. Most of these galleries include prominent and famous buildings owned by well-known artists to small galleries, which house just a few artworks. Many open spaces are occupied by artists temporarily as the shift from one place to another. The many galleries in Chelsea make the market very competitive, thus pushing artists to engage in providing the best and most appealing works to the public. Most of the galleries get busier on Thursday afternoon and evenings. The different collections on exhibition offer a diverse customer experience since some of the galleries specialize in old art as others develop an idea of innovating new techniques with the sole goal of servicing customer needs. With many embracing the Paris themes, this makes it even more competitive for other galleries outside Chelsea to compete with them.
Unlike many other galleries and museums in London, the galleries in Chelsea have secure procedures regarding hoe to create space for new art presented by modern artists. They work under a short time frame to get these artists’ space and making their work acknowledged. Some also run mentorship programs where new and emerging talents are natured. These programs have given rise to some of the well-known artists in many galleries in Chelsea. Due to the city’s ethnic diversity and progressive social views, this has attracted many artists and even influenced more people towards art-loving. Several galleries also have chosen to identify and address specific themes such as media, warfare, love, and others. Others take fame for their photographic and fashion exhibitions, which offer unique experiences and even nature artists from a young age by acquiring as many photographs as possible and displaying them.
New York has the most visited MuseumMuseum. According to Gimblett (1998), these centers have specialties that range from Hispanic, Chinese and Jewish art, photographic collections, and contemporary galleries. Some museums like The Cloisters exclusively specialize with art and architecture of the middle ages. Others document the great history of America through collections of paintings and watercolors. The New-York Historical Society boasts of housing George Washington’s bed. This makes the MuseumMuseum very popular, especially among the international tourists and scholars willing to study or do research about the history of America. The Metropolitan Museum of Art remains to be cultural epicenter of New York. With the shift in society, many people are still driven to the MuseumMuseum to experience the culture of the past times and, most importantly, learn about the olden culture documented through the Egyptian temples. Some other collections which bring many visitors include the perception of original inhabitants of America.
Most of the museums in New York are stationed in ancient buildings that are even older than 300 years maintained through renovations. The ancient architecture here blends very well with the new technology, thus providing visitors with breathtaking sites and unforgettable experiences. With more than 1200 cultures of the Americas, through pottery, carved wood, clothing, basketry, instruments, and photographs, many of the New York museums offer a more sought for an experience that quenches the thirst of lovers of history (Holtzberg, 2008). Unlike the small galleries found in Chelsea, many prominent museums in New York have enough space to accommodate more art as well as set up complimentary services such as restaurants and bars.
Mathew Barney, born in 1967 in San Francisco, California, United States, is a contemporary artist and has acted as a director in many fields of film and photography. He also engages in drawing and sculpture. Examining the link between biology, geography, and mythology is what makes the backbone of most of his works. Mathew has authored many books regarding art such as Drawing Restraint and Cremaster 3. Most of his celebrated art includes the Transexuals, Repressia, Cremaster 3, and many more others. His contributions to the Guggenheim museum have led to the solidification of modern art as a theme in the MuseumMuseum. With a vast knowledge of art, he has mentored many upcoming artists with some winning international titles. He has also produced many movies such as Redoubt and De Lama Lamina, according to Karber (2015).
Mathew started his works Drawing Restraint, as a way of biochemical departure on the principle of hypertrophy. Here, he tries to explain how muscles develop due to an increased rate of resistance. After The Cremaster Cycle, which gained him entry to the Guggenheim museum, since then, Mathew Barney has been staging private shows in different parts of the world (Papazoglou, 2014). Mathew Bernie gained international recognition from his new film, River of Fundament, which is about five hours long. The film has been presented in many theatres around the globe, including the Brooklyn Academy of Music. His success as an artist and filmmaker can be attributed to his teamwork spirit. Barnes is known for working collaboratively with other artists and firms. He also offers assistance when needed by other artists. These are some of the essential virtues that he believes every artist should possess to be successful in their art.
Doering, Z. D. (1999). Strangers, guests, or clients? Visitor experiences in museums. Curator: The Museum Journal, 42(2), 74-87.
Halle, D., & Tiso, E. (2008). New York’s Chelsea district: a” global” and local perspective on contemporary art’. The Cultural Economy. Sage, Los Angeles, CA, 292-306.
Holtzberg, M. (2008). Keepers of Tradition: Art and Folk Heritage in Massachusetts. Univ of Massachusetts Press.
Karber, P. (2015). Postmarks from a Political Traveler. Routledge.
Kirshenblatt-Gimblett, B. (1998). Destination Culture: Tourism, museums, and heritage. Univ of California Press.
Papazoglou, N. (2014). Matthew Barney’s Cremaster Cycle and the Ordeal of Value (Doctoral dissertation, Goldsmiths, University of London).
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